nckn.music.

When I first stumbled across Kitkaliitto on Soundcloud I immediatly liked their style. And it struck me: “Man, these guys are a little bit like a finnish version of Dåbermann.” 3 guys, collaborating on electronic tracks. Maybe we differ a bit in approach and sound palette, but this is still my picture of them.

Some time ago, Tommi asked if he could remix Morgenschillgit, which I gladly agreed to. Well, what can I say, the result is now online, and i really like it. Especially how they kept the chord progression in an really abstract form. I like how it slowly evolves and the vocals remind me in parts of Tobias Lilja (which is said to be a compliment) . Thanks a lot guys, you are awesome!

Exciting! Actually it excited me that much, that there will be some thing more sometime. One will see…

Thanks for listening, stay tuned!

When I first stumbled across Kitkaliitto on Soundcloud I immediatly liked their style. And it struck me: "Man, these guys are a little bit like a finnish version of Dåbermann." 3 guys, collaborating on electronic tracks. Maybe we differ a bit in approach and sound palette, but this is still my picture of them. Some ...

As announced earlier, last friday I had my first real solo-performance with material that matters to me.

It took place at an exhibition opening of my friend Lilli. The thought behind the performance was to try to convey the atmosphere of her book “Todkehlchen”. In my way of interpreting it, it is a silently drawn book about death, loneliness and friendship. About wood, flesh and beauty.

Performance-wise I am quite satisfied with the result. I really did not have much time to prepare and rehearse, so what you hear is the first time I ever played this set in this form. So to say, some kind of prepared improvisation (excluding this one part, that is obviously triggered clips). Feel free to download and share, feedback is always appreciated!

Thanks to Lilli for having me and to all friends who came. You made it a memorable evening!

Now, everything would be fine at this point – but without me knowing, at the same day a college of mine died at the age of 27. He just finished his studies, married this year and had a little son. Although I knew him just for about a month, I really liked him a lot.

When I read the message the next day, it seemed ironic, having played a performance around the topic of death the day before. (“Todkehlchen” translates to little death-throat; a pun on the german name for the readbreast bird)  While I can’t change what happened, I still want to dedicate this recording to you, Julian, rest in peace my friend!

Thanks, @ktfall for the nice picture!

As announced earlier, last friday I had my first real solo-performance with material that matters to me. It took place at an exhibition opening of my friend Lilli. The thought behind the performance was to try to convey the atmosphere of her book "Todkehlchen". In my way of interpreting it, it is a silently drawn ...

I did an Interrail-Trip in March/April 2010. Travelling from Aachen through Belgium, France, Switzerland and Italy to Greece. By train. In Greece i travelled a bit around (Peloponnes, Athens and Tessaloniki) and then went to Istanbul. The way home was through Bukarest, Budapest, Vienna and Innsbruck. Really a great trip for me, it finally gave me the last kick to liberate my head from this internet-thing here. I saw lots of great places and met many great people. And i collected sounds. And since three months i always wanted to put a cut together, that represents my journey in sound. Like watching a photo-album with the ears. Or listening to a documentary without the picture.

I don’t know if this is of any value to anyone out there. I can remember these moments where some relative took out a video-camera and showed videos from last holiday in southern france or such. For them it was very exciting, i mean the shaky camera, the non-action going on there. But obviously holiday-movies are only pleasure to those who actually participated. So please let me know if it is boring

But one part of travelling for me was always to be at some place, sit and listen. It is the sound.

Though you could listen through the widget above, i recommend going to the Soundcloud-page, where you can see all timed comments, guiding you through my journey. Have fun (or not)!

Ps. if you nevertheless want to see some pictures, try this link..

I did an Interrail-Trip in March/April 2010. Travelling from Aachen through Belgium, France, Switzerland and Italy to Greece. By train. In Greece i travelled a bit around (Peloponnes, Athens and Tessaloniki) and then went to Istanbul. The way home was through Bukarest, Budapest, Vienna and Innsbruck. Really a great trip for me, it finally ...

What you see above is the trailer of a russian documentary, that I will contribute sound and music to. We are still in the beginning of our workflow, but it is a very nice team around russian director Sergey Kachkin and the romanian film-producer Andra Matresu.  I am really looking forward to compose music, that is inspired by the pictures and the mood of the film. Long russian streets. Cold russian winters.

A melancholic love poem in modern times of Russia – this documentary unfolds around a married couple at the age of fifty. He is a truck driver. She is his woman tending for love. Nobody knows when the situation will change until one of the family member dies…

What you see above is the trailer of a russian documentary, that I will contribute sound and music to. We are still in the beginning of our workflow, but it is a very nice team around russian director Sergey Kachkin and the romanian film-producer Andra Matresu.  I am really looking forward to compose music, ...

Ambient-artist Darage Bang started a new post-series to feature appreciated artists he found through Soundcloud:

Darage Bang presents Cloudy and Pleasant

With my piano piece Ursulurn, I happen to be one of them. Thanks a lot, Frank!
The music over there is somewhere between ambient, downtempo, drone and experimental. If you’re interested give it a listen through my Cloud-Playlist for an uninterrupted playback. (you’ll need a Google-Account, though)

I like and support the idea not just because the underlying thoughts are quite similar to mine, when I started ‘Found in the Cloud’. It is good to see Soundcloud evolving, being a platform driven by people. And with applications like The Cloud Player build ontop of the infrastructure, it has the potential to be Spotify for independent artists.

Ambient-artist Darage Bang started a new post-series to feature appreciated artists he found through Soundcloud: Darage Bang presents Cloudy and Pleasant With my piano piece Ursulurn, I happen to be one of them. Thanks a lot, Frank! The music over there is somewhere between ambient, downtempo, drone and experimental. If you're interested give it a listen through ...

I just removed Mixed Sessions from the internet. It is really old and has nothing to do with what i’m up to musically. I don’t want to get connected to this Garageband-approach of making electronic music. There are better things to come…

If anybody still has the desire to listen to the tracks, shoot me a message, I’ll pass you the files.

I just removed Mixed Sessions from the internet. It is really old and has nothing to do with what i'm up to musically. I don't want to get connected to this Garageband-approach of making electronic music. There are better things to come... If anybody still has the desire to listen to the tracks, shoot me ...

Since my last band split up two years ago, my solo-endeavours were nearly the only musical activity I followed. Looking back on the results of that last period, I must say, that there is not too much output. There is Mixed Sessions, which I now can’t really listen to anymore, since it’s so old and kind of nooby and dilettantish in some regards (excluding These Days)
And there is LifeB, which got signed to Om Records. And then? Some experiments here and there – that’s it.

But why? Why didn’t I manage to put my musical ideas (which I guess are still there and vital) into actual pieces you can listen to?

Last weekend it became clear, that it was form. In the days of playing in bands everything was quite fixed. The band setup consisted of drums, bass, two guitars and vocals. I was one guitarist with some songwriting-responsibilities. Time I spent for the band was either practicing guitar, writing songs or riffs and attending rehearsals. Note: 100% of that time is directly connected to music. 100% of my ideas were direct musical ideas.

Now switching to music done with the computer. Just adding this device into your music makes everything a lot more complicated. You have to question everything that was kind of pre-set in your band. What kind of music do you want to do? What is your sound? How do you perform this music? Adding to that, computer is technology. And technology needs to be adapted to your needs. So you have to learn about programs, underlying principles and interaction-patterns.  These topics are all barriers in your way of developing musical ideas.
And this is the reason I look back on not too much output. I did not find answers that satisfied me. So I looked further. More energy and time was consumed dealing with stuff surrounding music than focussing on actual music.

Hopefully this will change now. I finally found a setup that fits my needs. A first version of a setup, that is Ableton-centered but not screen-centric. Actually I can turn off the screen and put the laptop aside.
It makes use of  all of the MIDI-equipment I have now (M-Audio Keyboard, NanoKontrol, PadKontrol, Nocturn and FCB1010) and is all about looping both external input and sounds I collected. It uses multiple instances of Ableton Looper, a self-hacked Step-Sequencer for the PadKontrol and some instrument racks. One for key-sounds, the other for collected sounds.
I guess I will do some sort of video tutorial round-trip of the setup when time is right.

The most important thing, though: I finally found answers to all conceptual question and solutions to all technical problems. I now know, that I can spend my time again thinking about music, not about technology. And when I have enough pieces done, I can now easily perform them.

So stay tuned…

Since my last band split up two years ago, my solo-endeavours were nearly the only musical activity I followed. Looking back on the results of that last period, I must say, that there is not too much output. There is Mixed Sessions, which I now can't really listen to anymore, since it's so old ...

I don’t know exactly when that happened, but I recently discovered that Om Records has now also joined the Spotify-game. That, of course, means that  LifeB is now also on there. Feels kind of nice.
Follow this link to get redirected to the track.

If anybody out there puts together a playlist, where my track sits in neatly (besides the original compilation), I’d love to hear it.

I don't know exactly when that happened, but I recently discovered that Om Records has now also joined the Spotify-game. That, of course, means that  LifeB is now also on there. Feels kind of nice. Follow this link to get redirected to the track. If anybody out there puts together a playlist, where my track sits ...

As some of you know, I’m still a student of what is called “Communication and Multimediadesign“. There you learn dealing with all different kinds of media, no matter if it’s print, web, film or audio. Unfortunately I never touched much audio during the studies. I had no room for it. But I gain more and more confidence, that there should be much more music and sound surrounding me in my everyday life.

After purchasing the lovely Tascam DR100 I found myself enjoying the very fundamentals of sound. I guess you could also tell that by listening to my recent work. Just running around, recording everything I can find, as long as it has some remarkable character.

All that collecting of sound-fragments has proven meaningful, as I now got myself working on a first sound design project: Making small animated Typo-Idents audible. They are meant to promote the fonts of a new typo-webshop called Hype For Type. Animated by bauwrk, this clip introduces their best-selling Neo Deco:

NEO DECO IDENT from HypeForType on Vimeo.

The best possibility to grasp the nature of this work is to watch it without sound. This is where i started. Then gradually made my way to that “spacey” feel. Find the match! Tell me what you think!

As some of you know, I'm still a student of what is called "Communication and Multimediadesign". There you learn dealing with all different kinds of media, no matter if it's print, web, film or audio. Unfortunately I never touched much audio during the studies. I had no room for it. But I gain more and ...

In Summer 2008 I first explored, how noises and random sounds can form to rhythm and go along with calm acoustic sounds. That concept took hold on me for some time. Now and then I did some small sketches, that would fall into that category. I had two of them already on Soundcloud, Cleansing and Ursulurn. Recently, I uploaded this early first piece (Morgenschillgit) and decided to make them all free to download. I won’t put work into these anymore and they won’t appear in future releases. So if you like them, go grab!

In Summer 2008 I first explored, how noises and random sounds can form to rhythm and go along with calm acoustic sounds. That concept took hold on me for some time. Now and then I did some small sketches, that would fall into that category. I had two of them already on Soundcloud, Cleansing ...